Marzia Migliora, Paradossi dell’abbondanza #50, 2022. Dettaglio. Collage e disegno su carta di riso, stampa con inchiostro di seppia.

Antti Laitinen, Broken Landscape III, 2017, pigment print, Diasec

Aaron Morse, Life of the Shore, 2017, acrylic and oil on paper.

Gerhard Richter, Birkenau (937-4), olio su tela, 200 x 260 cm, 2014.

Giuseppe Penone, Studio per gesto vegetale, inchiostro su carta, 1984.

Antoni Tàpies, Verd-blau i palla, 1968, Mixed media on wood.

Veronica Ryan, Collective Moments XVI, 2022, cartridge paper and twine, 14 × 20 × 13 cm.

Margaux Williamson, Waterfall Painting, 2021, Oil on canvas

Heeseung Chung, Avedon, 2010, Archival pigment print

Alberto Biasi, Politipo verde, 1968, Mixed media on panel

Marinka Masséus, My Stealthy Freedom, 2017, photography

Wolfgang Laib, The Five Mountains Not to Climb On, 1984. Hazelnut pollen.

Jordan Wolfson, Colored Sculpture, 2016

Wolfgang Tillmans, Icestorm, chromogenic print, 2001

Edward Hopper, Rooms by the Sea, Oil on canvas, 1951

Alex Katz, Ulla in Black Hat, Litograph, 72×101 cm, 2010

Sam Gilliam, Carousel Form II, 1969, Acrylic on canvas

Heinz Mack, Ohne Titel (Chromatische Konstellation), 2019, Acryl on Canvas, 70 x 80 cm