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Classical german philosophy. University of Padova research group

Conference: Encuentro Hispano-Portugués de Estética ‘Arthur Danto y la Filosofía del arte’ (October 23-25 2014, Universidad de Valladolid)

We are pleased to announce the first Spanish-Portuguese Meeting on Aesthetics, that will take place on 23rd-25th October 2014 at the Facultad de Filosofía y Letras, Universidad de Valladolid, Spain.

This edition will be devoted to the work of Arthur Danto.
Keynote speakers: Carmo D’Orey (University of Lisbon), Gerard Vilar (Barcelona Autonomous University), and Lydia Goehr (Columbia University).

The meeting seeks the collaboration between Portuguese and Spanish scholars on philosophical aesthetics, and the promotion of rigorous research in the field.
Portuguese, Spanish, and English will be the official languages at the conference.

Organizers: Sixto Castro (University of Valladolid), Vítor Moura (University of Minho), and Francisca Pérez Carreño (University of Murcia).

For furher infromation, please click here.

Below the program of the conference:

Encuentro Hispano-Portugués de Estética ‘Arthur Danto y la Filosofía del arte’

Programa del congreso/

09.30: Presentación/Welcoming

10.00: Conferencia/Talk: Lydia Goehr (Columbia University): Reading Danto’s Red Squares As a Political Thought Experiment.

Respuesta/Reply: María José Alcaraz (Universidad de Murcia).

11.30: Descanso/Break

12.00-14.00: Comunicaciones/Papers I

    1. Salvador Rubio (Universidad de Murcia): Cartier Bresson por Danto: el surrealismo invisible.
    2. Alessandro Bertinetto (Università di Udine): La paradoja de los indiscernibles y la improvisación artística.
    3. Javier Domínguez Muñino e Irene García Galván (Universidad de Sevilla): El no artista de después del Fin del arte: El diagnóstico de Danto aplicado a la Poesía.

16.00-18.00: Comunicaciones/papers II

    1. Tiziana Anina (Università di Torino): The artistic disenfranchisement of reality.
    2. Melissa Theriault (Université du Québec à Trois-Rivières): Arthur Danto, writer, philosopher of literature or both?
    3. Virginia H. Aragonés Aita (UFRGS – RS/Brasil): Pictorial art as thick image: ekphrasis, embodiment and art’s medium.

18.00-18.30: Descanso/Break

18.30-20.30: Comunicaciones/Papers III

    1. Ewa Bogusz-Boltuc (University of Illinois at Springfield): The art of Arthur Danto. Before The Kiss and the Brillo Box there was the Horseman and “analytical sightseeing”.
    2. Sonia Rezzonico: Why is contemporary art not beauty? Some considerations about Arthur Danto theory of art.
    3. Sue SpaidDanto’s artworld. Nine indiscernible red squares and nine different contents.
    4. Christopher T. Williams (University of Nevada, Reno): Mere Monochrome Works of Art and Mere Painted Colors.

Viernes, 24 de octubre/Friday, Oct. 24th

09.30: Conferencia/Talk: Gerard Vilar (Universitat Autònoma de Barcelona): Was Danto a Cognitivist? Art and Knowledge in A. Danto’s Philosophy of Art.

Respuesta/Reply: Vítor Moura (Universidade do Minho).

11.00: Descanso/Break

11.30-14.00: Comunicaciones IV:

    1. Idalina Proença Maia Sidoncha (Universidade da Beira Interior): A proposta de G. Dickie para uma definição de obra de arte e suas dificultades.
    2. Oliver Tolle (Universidade de São Paulo): Filosofia da arte e retórica, uma convivência difícil.
    3. Teresa Lousa (Universidade de Lisboa): Arthur Danto: para uma nova ontologia da obra de arte.

16.00-18.00: Comunicaciones/Papers V:

    1. Luis Merita Blat (Universidad de Valencia): El arte en el mundo administrado.
    2. Fernando Infante del Rosal (Universidad de Sevilla): Volver a Hegel. Crítica a Danto y Rancière en defensa del ‘modernismo’.
    3. Dayanira Iouhaina Toledo (UNAM, México): La plasticidad en la visión del artista. Danto y las ciencias cognitivas.

18.00-18.30: Descanso/Break

18.30-20.30: Comunicaciones/Papers VI

    1. Mikel Iriondo (Universidad del País Vasco): Estética de la memoria.
    2. Raquel Cascales (Universidad de Navarra): Historia y narración en el “fin del arte” de Arthur Danto.
    3. María Jesús Godoy (Universidad de Sevilla): Tras la muerte del arte. El fenómeno artístico posthistórico del videoclip.

Sábado, 25 de octubre/Saturday, October 25th

09.30: Conferencia/Talk: José Capela (Universidade do Minho): Architecture after Duchamp.

Respuesta/Reply: Sixto J. Castro (Universidad de Valladolid).

11.00: Descanso

11.30-13.30.Comunicaciones/Papers VII

    1. Jacinto Lageira (Université Paris 1): Essência e historia en Danto.
    2. Matilde Carrasco (Universidad de Murcia): Aesthetic and artistic effectiveness: the latest Danto on Art and Politics.
    3. Sara Matetich (Università di Salerno): The End of the End of Art.
    4. Marina Hervas Muñoz (Universitat Autònoma de Barcelona): The transfiguration of common-noise.

13.30: Conclusiones y clausura del congreso/ Conclusions and closing.

 

 

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